All About Curtain & Upholstery Fabrics
There are five different styles/category of fabric that form the foundation for the vast array of curtain and upholstery fabrics you see on the market today. Each fabric style outlined below has its own unique characteristics and are produced using different techniques. Some of these fabric types will be well known to you like plain and printed fabrics, while others less so.
You may be wondering why cotton and linen for example are not included here – this is because they are a type of composition that falls within one of these categories below.
Here we give you a high-level overview of the styles of fabrics available to you for your home interior or commercial interior project.
PLAIN
Plain fabrics are characterised by simple weaves and textures not showing any complex design.
Simple weaves are for instance – hopsacks, twills, herringbones and satins. Common fabric compositions used for plain fabrics include natural fibres (cotton, linen) as well as synthetic fibres (polyester, acrylic, etc.)
Plain interior fabrics take on a simple and paired back aesthetic. Ideal for a minimalist décor, you can complement plain fabrics with more textured and tactile textiles for added interest to your home décor.
PRINTED
Printing is the process of applying coloured designs and patterns to a woven textile. One or more colours are applied to the fabric in specific parts only, using thickened dyes to prevent the colour from spreading beyond the limits of the pattern or design. In quality printed fabrics, the colour is bonded with the fibre so as to resist loss of dye from washing and friction (crocking). Printing is an ancient textile manufacturing technique of which there are five print production methods you can use:
Burn Out Printing:
A process which uses chemicals, rather than colour, to burn out or dissolve away one fibre in a fabric. The purpose is to achieve a sheer design on a solid or opaque fabric. The chemicals used during production can make this fabric sensitive to ultraviolet degradation when hung in direct sunlight.
Digital Printing:
Rapidly becoming a popular and commercially viable printing method due to its flexibility, precision and consistency. With this new printing technique it is now possible to print any design, even with photographic detail, onto fabric. There are no restrictions in the amount of colour that can be used.
Engraved Roller Printing:
The printing method used for the majority of fabrics worldwide. The colours are printed directly onto the fabric. There must be one roller for each colour used in the print. The more colours used, the better the print definition and depth of colour. The number of colours used is printed on the left hand selvedge of a fabric along with the brand.
Hand Block Printing:
The oldest form of printing. Print designs are created by transferring dyestuffs onto fabric with the help of wooden, linoleum, or copper blocks. Artisans hand craft individual blocks to carry each different colour in a design and perfectly match block placement to create the all-over design.
Keep reading: www.curtainclean.co.nz...
National average asking price virtually unchanged for over a year
Since January 2023, the national average asking price has remained stable. At $868,877, it is down a marginal 0.6% on April last year. The national average asking price has remained below $900,000 since December 2022, a significant decrease from the market peak in January 2022 when it exceeded $1 million.
“As we move into the winter months, we typically see a cooling market, and in 2024, this is combined with a softening economy. It will be interesting to see how these factors play out for the property market in the coming months,” says Sarah Wood, CEO of realestate.co.nz
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ANZAC DAY
Half a world away from dawn services in Australia & New Zealand, a small group of dignitaries will meet in Malta this Anzac Day among the neat rows of headstones at sun-baked Pieta Military Cemetery just outside Valletta – as they have since 1916 – to commemorate a moving but largely forgotten chapter of Gallipoli lore.
It is the story of how a tiny, ancient, impoverished and battle-scarred nation in the centre of the Mediterranean opened its arms and hearts to care for thousands of wounded, traumatised and sick young Anzacs, many of them still teenagers, who arrived aboard a flotilla of blood-soaked hospital ships from the battlefields of Gallipoli.
While most of the 57,950 soldiers evacuated to Malta recovered and eventually left, some 202 Australians and 72 New Zealanders did not, and are in war cemeteries across the archipelago.
Apart from their graves hewn from the parched, rocky Maltese earth, there is little other physical evidence the Anzacs were ever in Malta, despite the enormity of their presence over a century ago.
The voyage across the Eastern Mediterranean in these makeshift hospital ships from the Gallipoli Peninsula to Malta was not an easy one. It took the steam ships up to eight days to cover the 1163-kilometre journey.
At the beginning of April 1915, there were 824 military hospital beds in Malta. At the end of May 1915, there were more than 6000 in 14 hospitals spread all over the island. At its peak there were 25,522 beds in 28 hospitals, with the highest number of patients on any one day a staggering 16,004.
We will remember them 🥀 🌺
(article written by Andrew Hornery a senior journalist and former Private Sydney columnist for The Sydney Morning Herald).
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