Unbroken Wings Authored by Glen McMillan
Unbroken Wings a girl named Lily.
Once upon a time, in the city of Whangarei, there lived an effervescent young girl named Lily. She was a talented ballet dancer, her agile movements embodying the artistry of her spirit. She was often seen dancing with the wind, her feet barely touching the ground, the city as her stage. But one fateful day, everything changed.
Lily was walking home late at night after a riveting ballet performance when an unexpected accident occurred. A reckless driver lost control of his vehicle, striking Lily before she could react. The next thing she remembered was the stark white ceiling of a hospital room. She had survived, but her spinal cord was severely damaged. The doctors gently broke the news: she would likely never dance again. Her world came crashing down around her. The stage she loved so dearly had been snatched away.
Days turned into weeks, then into months. Lily wrestled with depression, confined to her wheelchair, watching as the world moved on without her. Her dreams were shattered, her spirit broken. The city that once felt like a lively stage now loomed over her like a giant, unscalable wall.
One day, a man named Oscar moved into the house next to Lily's. He was a friendly, cheerful person who painted for a living despite being visually impaired. Oscar's unyielding spirit, despite his disability, ignited a spark of hope in Lily. She began to visit him, intrigued by his world of colours unseen.
Oscar, realizing Lily's pain mirrored his own, encouraged her to express herself again, not through dance, but through paint. Lily was hesitant at first; she thought she had lost all her artistic abilities. But Oscar insisted, "Art is not about the medium, Lily. It's about the soul that pours into it."
For the first time in months, Lily decided to give it a try. She picked up a brush, and as the colours danced on her canvas, she discovered a new way to express herself. With each stroke, she painted her emotions, her dreams, and her dance. The wheelchair didn't bind her; she was dancing again, just differently.
Lily's transformation was profound. She began to emerge from her shell of despair, reclaiming her life. Her paintings were heartfelt, filled with emotion that moved those who saw them. The city that once watched her dance was now captivated by her art.
In her struggle, Lily found a new purpose. Her life wasn't over; it had simply taken a different path. She missed dancing every day, but she found joy in her art, in the vibrancy of her paintings, in the dance of her brushstrokes. Her spirit, once crushed, now flew on unbroken wings.
She was no longer just Lily, the ballet dancer. She was Lily, the artist, the survivor, the beacon of hope. Through her journey, she discovered that while accidents can steal dreams, they can also give birth to new ones. Through her courage and resilience, she taught her city that while life can change in an instant, the spirit remains unbroken.
Authored by Glen McMillan
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Poll: Are our Kiwi summer holidays helping us recharge, or holding the economy back? ☀️🥝
There’s growing debate about whether New Zealand’s extended Christmas break (and the slowdown that comes with it) affects productivity.
Tracy Watkins has weighed in ... now it’s your turn. What’s your take? 🤔
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74.3% We work hard, we deserve a break!
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9.9% Hmm, maybe?
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15.8% Yes!
A riddle to start the festive season 🌲🎁🌟
I'm a fruit. If you take away my first letter, I'm a crime. If you take away my first two letters, I'm an animal. If you take away my first and last letter, I'm a form of music. What am I?
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Poll: Should we be giving the green light to new mining projects? 💰🌲
The Environmental Protection Authority announced this week that a proposed mine in Central Otago (near Cromwell) is about to enter its fast-track assessment process. A final decision could come within six months, and if it’s approved, construction might start as early as mid-2026.
We want to know: Should mining projects like this move ahead?
Keen to dig deeper? Mike White has the scoop.
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53.1% Yes
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46.9% No
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